Thus, the ficcional substance of that if it nourishes the tessitura narrative of Estria n 3, as well as Duel and the Dagob brothers, leaves the common scope of the linearity to weave the scenes with inversion wires, opposing the deterministas perspectives, for relativizing absolute truths as the proper Guimares in interview informed: ' ' I wait a so illogical literature as mine, that transforms cosmo into a hinterland in which the only reality is inacreditvel.' ' 6 the first narrative block of Estria n 3 discloses linearity how much to the transcurso of the events: In the hour, Jooquerque attended the Aiming to frigir cookies it supper, talking the two pequenidades, amenities, certezas. (…) ' ' Of house. (…) if they looked Jooquerque and Mira, that had trembled taking striking again. (…)! The shout, esmurrada was renewed abrupt the door. (…) weapon clap. (…) running in the street. (…) Aiming leaving to fall the escumadeira (…) brought before face the hands, for impetus of act, therefore twisted already them and pressed them against the seios (…) same Aiming ordered it to go itself, with closed whispers. (…) It kneel itself, praid, with in a hand the knife, pontuda, wheted, in the other the skewer, of length of meter.
(…) And if she debated already to the door of the deep ones, cost to it to twirl tramela (…) Set for it are. (…) For the dark yard Jooquerque runs, (…) e, almost in the end. (…) in trying to estake, seing indistinctly acol unjust countenances. (…) it was knocked down. 7 In this first block, ' ' time of continuao' ' of the Theory of the Chaos or the chronological time of the Literary Theory they are the elements that structuralize the scenes. Jooquerque lives in the time of the continuation, therefore measurable. However, when falling, it feels the presence of the not measurable time in confrontation with its form of living determinista.