So Paulo

The personages are symbolic constructions presented by the agualusana literature marked by the presence of the memory of an imagined fictitious past creative for the salesman of pasts, Flix Happiness. We also perceive the presence of the phenomenon that many theoreticians call of DES-reterritorializao, responsible phenomenon for strong present the cultural hibridismo in this narrative. In this direction, Jose Buchmann (JB), among others personages, had passed for this process, as she designates the romance at the moment well where JB affirms that its son is as the father, nomad. In such a way one confirms what as much declared Stuart Hall (2006) concernente to the descentramento of the citizen. Read more here: Benito Santiago. This nomadismo (or same hibridismo, desterritorializao, dispora or another name that if approaches to this problematic one) was what more it marked the life of the personages of this history that, certainly, from this new ‘ ‘ attributes conceituais’ ‘ it can be called of after-modern workmanship for breaching with the old standards of romanesca cosntruo.

The real history of Angola bursts, crosses the ficcional surface of the text of Agualusa, breaks the wall of silence and for the representations of the personages, the writer in them brings some of truths of the historical facts of the country where it was born. The romance finishes with the death of Eullio, personage who told history. The Osga is the representative symbol of the war stopped for the Angolans, therefore as the Africans die fighting in the war in the defense of its country, it, osga, also die in the defense of its territory together with its enemy invader, lacrau.