It starts and it finishes in the form of call list what it comes to emphasize the problem of the existence with consistency. In verses only observing the denotativo direction has it incompletude sensation, of esvaziamento, that is transmitted through the sequence of image of list of collegiate call that they denote a passive situation. It stops to understand the essence of the message of the author, necessary to observe the conotativo direction of the message. The poetry does not present rhymes. All the verses have the same structure: a proper substantive name of the personalities, the points of linking and the term ' ' presente' ' , sending the literal cohesion made by parallelism. The repetition of the term ' ' presente' ' if of the fonolgico resource, that intenciona the transmission of the idea of a call, made for the one in the case for lyric I.
A paradox is perceived in the poem, in relation the use of absent terms present x that has for objective to demarcate the situation of the personalities of the poem with respect to life x death. ' ' chamados' ' gifts are deceased, that is, absentees in the direction of physical existence. The expression ' ' ausente' ' she was used as reference for the livings creature gifts in the physical existence, that are lyric I and all receivers. Therefore the words ' ' presente' ' ' ' ausentes' ' double it has felt. They are denotativas, but they assume also conotativa function. The poem presents dezessete names of people who of some form had marked its name in the history of the humanity, having been sixteen men and a woman? Indira Gandhi. All the cited ones are? absentees? in the literal meaning, therefore are deceased, assassinated, but gifts in the souvenirs for its facts in relation to the fight against the oppression.