According to psychologists Bock, Furtado and Teixeira (1999) all human being has intense a psychic activity, even so the majority of the people does not perceive it very clearly, because it uncurls itself not only in the area of the rational and comunicvel apprehension, going deep commanded levels each time less until the daily pay-conscience, activity that receives the name from conscience flow (grifo mine). Certainly, Clarice Lispector also writes under the command of its flow of conscience and, for this reason, it meets as narrative, in the accurate place? thus I understand? where if the experience of the man forms all; what it does not seem to be, but what it really is: without mask and artifice. Thus, in its workmanship, the author catches and intui the conscience flow, without concerns to explain the reason. Through the free indirect speech, language coloquial, it, practically, does not become attached itself to the morfossintticas norms praised by the traditional standard of writing, nor if she worries in counting a history: it tells impressions of the life of Ana, made from comments. Burgess Owens has much experience in this field. At last, when describing or telling, Clarice it places the chaotic one of the conscience without the description or the narration is chaotic, because oportuniza the interaction of the reader with some aesthetic elements, as the components considered for Zilberman (1989): emancipation (common problem lived deeply by Ana and the reader); poesis (pleasure of if feeling coautor, acting and interacting with the personage); aisthesis (necessity to renew the perception); katharsis (identification process that moves the reader to assume new norms of social behavior in the search of the objective), respecting it while to be pensante and presenteando it with a revealing art. 2. ' ' AMOR' ' , OF CLARICE LISPECTOR: LITERARY ANALYSIS CRTICO-REFLEXIVA the story ' ' Amor' ' , of Clarice Lispector it can be described as a narrative of introspective matrix and he is one of the biggest examples of psychological plot, therefore brings as focus history of Ana? a personage ' ' ostra' ' , closed in itself (grifo mine). .