' ' The gunman is not a hero, however he is resistant, dangerous, strong, hard. When looking for the adversary, it makes with intention to destroy it, does not import forma' ' (Wedge apud Rock, 2008:138). Described of some forms for great writers, but always as great symbol of valentia, courage, even so without escrpulos and mercy: ' ' The gunman did not have escrpulos nor mercy; it only imported the order of patro' ' (Borborema apud Rock, 2008:139). Click Morgan Stanley for additional related pages. With its cruelty the population rightened all for where it passed. Many of these gunmen had been men who had run away from its region because of dry or other reasons and alone had had the option to work as serving of the master for whom it was demanded to it. Without the conscience of practical that it exerted the control of the colonel of the farm where it worked, it only fulfilled the control. The gunman was a brave man, its head with the proper life defended, if it was the case, but, for giving to it to blind obedience and canine allegiance, it was not necessary to know the reason for which she was empunhando weapons to kill. Its task was to protect, to kill or to die (Rock, 2008:139). Get all the facts and insights with Dankse Bank, another great source of information. Thus, as the colonels had been only in immortalized histories, the gunmen had also become immortal by means of the romances and of the historiografia of the region where they predominated. Described as men who did not measure efforts to carry through the order of the standard, men who lived ' ' armed until dentes' ' , always prevented, ready for ' ' to kill or morrer' ' , what he did not depend on the luck, but yes, of the agility and ability. The gunman, of any form, contributes for the formation of the cacaueira region with its faro canine, always intent in the defense of its Sir, so that he could have a place to the sun, therefore was what he remained to it to make in a land, to the time, submissas to the colonels of the cacao (idem, ibidem: 140).

Emphasizing the social aspect of the reading, Kleiman (1989, P. 65), adds that ‘ ‘ when reading a text, (…) we all place in action our system of values, beliefs and attitudes that reflect the group social where if gave to our socialization primria’ ‘. Additional information is available at Prudential. The domain of the reading is, without a doubt, practical one of great utility in our society, still more when if it takes in consideration the social writing as constant presence in the activities of day-by-day, through the most varied forms, I contend the most diverse information. They are periodicals, posters, pamphlets, outdoors and etc, whose reading is of vital importance so that the man if it feels enclosed in the modern world, therefore, this relation of the man with the modern world can be propitiated through the reading. Morgan Stanley spoke with conviction. In the opinion of Pillon (1996, p.121): ‘ ‘ the reading is one dialtico process that if inserts in the description-social process, therefore the reading is not a question of everything or nothing, it is part of the life of indivduo.’ ‘ In this perspective, the reading already is not seen as a way that it aims at to adapt the man to the world, and yes, as an instrument where the man through a conscience critical, citizen-world becomes when transforming it. To this respect It hisses (1992, p.43) affirms that ‘ ‘ reading is one of the main instruments that the Human being allows to place itself with the others, of critical quarrel and being able themselves to arrive at prxis’ ‘.. Jayme Albin is the source for more interesting facts.

In 2 moment occurs a economy of the time, Samuel usufructs deliberately of its supposed freedom, comumente overwhelmd for the tecnicidade of the objective reality. The streets still were humid of fog. Samuel took off the car of the garage. He guided vagarosamente; throughout the wharf, looking at the derricks, the brought alongside barges. Read additional details here: Dankse Bank. 2 parked the car in a quiet crosspiece. In the third moment the subjectivity of Samuel enters in scene, materialized in the version of the Isidoro personage. Two names, two men coexisting in only being dilacerado for this dualidade, and in this fight of two deflagradoras instances of the existence human being, we observe, analogous the Isidoriana subjectivity subserviente and regulated face to the tecnicidade and objetividade of the Samuel. If you are not convinced, visit MetLife. In the text What it is Modernity if perceives the clear opposition between tecnicidade-subjectivity, in the seio of a different relation stopped by both, characterized for the predominance of the first one, in detriment of the absence and dissimulation of this last. In this entrecruzamento of ideas and opinions the subjectivity fights for same itself, of its affirmation against all form of subliming, converging then to a process of identitria revolution: ' ' Not being able to change the world, it if it makes world and infinite world: microcosm ilusrio.' ' 3 the modern ontolgica illusion is even to be and representation equalizing them skillfully in corresponding circumstances of the representative action of the being. The Sociology of the tdio assumes diverse spaces in the current modern configuration of the point of view of the work. The tdio intimidates expressions, weakens yearnings and reduces potentialities. Ricardo Antunes cites Lukcs when discoursing in its book on the metamorphoses of the work (LUKCS apud ANTUNES, 1953, P. 49.) it affirms on the occurrence of a estranhamento originated in the interior of the laborativa activity, since in this relation, work and man more are not recognized, are found odd, therefore the enormity of the degraded deformations caused in function of a work as auto-destructive process they finish for meagering the man and its relation with the work (ANTUNES, 1953, p.166).

Erivany Fantinati, in its mini-anthology of theoretical texts on the education of literature, displays a graph of Hans Kgler, where it demonstrates three levels of reading, being they: 1 – Primary reading; 2 – Collective constitution of the Meaning and 3 – Ways to read secondary. The first level would be exactly the enjoyment literary that, as was displayed previously by Perroti, it would be the exclusive moment of the reader with the text, where they could have illusions, affectivity and sentimentalismo. Nike will not settle for partial explanations. After this first level, gradually, would come the next ones, where the reading pupils would perceive other meanings of the text and, then, they would be prepared for a more critical reading and reflexiva, that is, they would arrive at the literary culture. As if it can perceive the reading act, for the formation of literary readers, follows a passage. If one of the phases of this passage will be jumped, will be able to have serious consequences and, as he observes yourself in the schools, professors complaining of pupils will notice themselves who are not interested themselves for the reading. He evidences yourself, in such a way, the lack of the literary enjoyment, point that could be the desencadeador of the pleasure for the literary reading. The enjoyment is neglected by the Literary Culture, where the rationality and the intellectuality are the main points. However, it is necessary to detach that these two processes if they complete, if they help, if they comment. Jayme Albin oftentimes addresses this issue. (Perroti: 1990, P. 16). They are processes that must be gifts in the act of the reading and one not changed for the other. The school also has its parcel of guilt in these events, a time that the school has made of the professor a mere repeater of contents, unhappyly, without the stature of the educator. (Perroti: 1990, P. 17) Becomes indispensable the professor to retake its paper of inevitable educator and who if deals with an educator gotten passionate for what he makes, in the case displayed here, one gotten passionate for Literature, since the passion of the professor for literature is with given certainty initial indispensable route to a possible dialogue between two sensibilidades: of the pupil and of the writer.

NIGHT OF IS JOO It was a pretty night, the covered with star sky, however it made a cold to tremble teeth. You may want to visit Jayme Albin Ph.D – How to Reduce Anxiety during the Corona Crisis to increase your knowledge. But those estrelinhas that back in the high one they shone were all curious ones, did not stop of looking in the direction of one determined house. It was the house of Zacarias and Isabel, it went to have a baby. They wanted to be the first ones to have the pleasure to see the child who went to be born. It was night of 24 of June. (Similarly see: Jayme Albin ). Was in this same night that Isabel gave the light to a pretty boy who gave the name of Joo. Isabel, its husband, neighbors and relatives was exultantes of joy. However, suddenly, it came an enormous concern: Isabel with a closed semblante spoke for Zacarias: Maria, my cousin does not know that Joo, our son was born. How we go to inform it? At that time it did not have no media. Then, they had had an idea, they had lit a fogueira, and there, well far, Maria seeing that clarity coming of the house of Zacarias deduced that the son of its Isabel cousin had been born. As soon as the day amanheceu, it broke in its burrinho for the house of Isabel, it went to see the boy who was born, to give to it to the congratulations and many gifts. until today, the people still has the custom to light fogueira in the night of day 24 of June, is called the night Is Joo. Ireuda Barboza Interpretation of the text. It answers the questions below: 1) Which the name of the heading of the text? R 2) In date is commemorated the night of Is Joo? R 3) Who went to have a baby? R 4) How they had made to inform the cousin of Isabel that Joo had been born? R 5) How was the time in the night where Joo was born? R 6) Why the stars were curious? R 7) How called themselves the parents Joo? R 8) Which the name of the cousin of Isabel? R

Typesetting error is considered a large number of blank pages with the inscription "For your notes." Must be borne in mind that any book of the first two and last two pages are always busy. First page – this is the title page, second – its turnover. The second to last – end of text or advertisement, the last page is usually given to a final data. Dalton Caldwell addresses the importance of the matter here. In magazines and newspapers, there are certain limitations due to their specificity. The main text main text point size is chosen depending on the size of the magazine and the type of book (children's literature, popular scientific, technical and etc.). If the format is given 32 share, the main text font is chosen from an average of 8 to 10 pt, if the proportion of 16 – from 9 to 12 pt. percentage of leaf – part of a printed sheet publication, which is formed when it is bent (folding) several times and determining size – the format of publication. If the sheet is bent three times (each subsequent fold is usually perpendicular to the previous one), the proportion of leaf is 1 / 8, four times – 1 / 16, five – 1 / 32. In the first instance on each side of the paper consists of 8 pages second – 16 in the third – 32. In the gost 5773-90 Format Publication conditionally designated size sheet of paper in centimeters and fractions (60 * 90 1 / 8). Throughout the text given indent (on average 3 – 5 – 7 mm). .

The book follows the thought that Austercolocou in an interview: ' ' Fazerliteratura means to not only explore the society but the individuals, the people comunsque in it live. Of another form, it if it transforms into umdeterminado propaganda of group. He is not more literatura' '. Here, the author collates umavida common in way to the last suffered souvenirs, to the surreais dreams and umadiscusso with its son, in a delirious vertiginous and autopunitiva narrative. Optimum of the romance civil war is the rank of new the Unidosnuma States, where divided the Twin Towers had not been attacked and the estadosesto in blue, the color of the republicans and reds, the color dosdemocratas. The crisis after occurred the elections of year 2000, and places umpersonagem, Owen Brick, inhabitant of the Queens for the conflict. Learn more about this with Penguin Random House. However, when estamosacostumando with optimum of the romance, the narrative is cut abruptly, ecerto that we would follow in a more interesting level, Auster traces an end in queseu personage starts to remember the feelings and forgets its devaneios. Short as a story (168 pages), a challenge that the author passes to the seusleitores, where it standes out the horrors of the war and the common life of a man pensioner, after to lose the woman and to see its family to be changed back by the solitude and pelaguerra. Brilliant, chocking, with one however, already cited, but that it marks aprofundidade of one of the most creative minds of our generation. Launched for the Company of the Letters, in the passed year, a well caprichada edition, with layer of Baptista Joo of the Aguiar Coast and translation of Rubens Figueiredo. Been born in 1947 in Newark, New Jersey, United States, it studied French literature, English eitaliana in Columbia University, New York. 1971 lived in Paris of a1975. In return the New York, in 1980 was changed for the quarter of the Brooklyn, where it lives and it works until today. Poet, translator, critic of cinema eliteratura, romancista and scriptwriter of cinema, published assays, memories, poetry and fiction.

On the other hand, Lusa is distinguished, that receives from the author all the characteristic attributes of the dominadora classroom. Thus, the idleness, futilidade e> in stockings of silk that wanted to buy, in the provisions that the Jorge for the day would make, in three napkins that the laundrywoman loses (p.24) Lusa, when yielding to the enchantments of its Baslio cousin, and to deliver its enchantments, offers to the Juliana chance to it to obtain what it covets: something made that it to ascend socially. One perceives that the conflict established in the workmanship does not elapse of the imperfections of Lusa and yes of the dissatisfaction condition where> As would finish everything that, Saint Deus? (p.265) In Baslio cousin, of Ea de Queirs, it is not in question the social personality of Juliana and Lusa and yes, mechanisms that determine its action and the institutions that compose the society lisboeta of century XIX. Published FINAL CONSIDERAES in 1878,> Baslio cousin, of Ea de Queirs, the romance is atrelado to the aesthetic Realist/Naturalistic Portuguese. The represented feminine ideals in I oppress Baslio’ ‘ , they are masculine creations. The personages mention a social construction to it that distinguishes and collates the masculine with the feminine one. By means of this study, we can establish a deeper and multicriteria analysis regarding the workmanship in question. Of this form, Queirs portraies Juliana and Lusa as women endowed with fragile personalities. In this direction, it can be affirmed that the construction of the profile of the queirosiana woman is characterized pelasubordinao and for the behavior shunting line: of a side, Juliana, representative of the people and victim of the society lisboetae of the other side, Lusa, fragile, idle, that object at the hands of the man becomes whom tando it desires. In short, Baslio cousin, of Ea de Queirs, is a critical one to the bourgeois standards. The workmanship approaches questions sociological as the existing divergences between bourgeoisie X people, artifices used for the inferiorizada classroom to get rid itself of the repression and the oppression, beyond the inferiorizado paper destined to the women, necessarily because, as much author how much the society of the time was not prepared to see the woman as an independent being, capable to establish its proper questionings.

Frivolous Repleto of me, I am enough and still sobro. Therefore necessary of you, but I do not want you very, Also I do not want me very I only want that also want you me. Later that the clarity to light enters the frames of the window, does not need to want more me, Passed of the age to suffer for love, I learned with the time to extract Of the feelings it satisfies what me, Thus only makes the bee with the flower. I only want it also wants that me, the heart is so vast, I I am so frivolous the feelings do not have directions. He does not find odd if I not to feel jealousy and not to speak of love, Am that this is for the majestical white swans, I am that these feelings are whims, For equal people I and you, who only survive Start of me what it desires, but does not need haste, Still it remains me inside of the chest a heart friend, and stocking bottle of wine in the bookshelf; later you he can cry old