Interesting us, therefore this time a time that if it intends to analyze the workmanship of Cassandra Rivers ' ' Traas' ' for the bias of the one after-modernismo dated of 1950 until current days. The first traces of homoertica literature in Brazil, as some research, had appeared traces in the workmanship the Athenaeum of Raul Pompia in 1888, following the line it has Alusio de Azevedo with the Tenement house (1890) and Olmpio Sundays with Luzia Man (1903). However, the landmark in this type of boarding if gave with Adolph Walks in 1895 with the publication of the Good Creole, workmanship that the principle did not have a good reception of the public for portraying a passion between the Creole and grumete, return thus in the years 70 with bigger force possessing connotations politics. The trajectory for the formation of workmanships with ertico matrix and personages of one exactly sex continued being the thematic one of other authors as Anbal Axe, Loved Jorge, Gasparino Damata, Rubem Fonseca, Trevisan Atomic mass unit, Joo Gilbert Noll, I fall Fernando Abreu, among others that they had opted to making a denser and introspective literature. Judged for some critics as literature delinquent for dealing with to peripheral subjects and the condition human being front to the indifference propitiating the diversification of models that pass of a simple sentimental character, testimonial to another ertico and ponographic calling. Regarding this, one comments in article on the homoerotismo and the marginalizao of the authorship of Irades Palermo and Thiago Carbonel that ' ' The rhetoric of the permeia marginality the homoertica literary production inserting the personages homosexuals in subversion contexts, bizarrice and represso' ' . In this manner, the personages are the consequence of the way, of the society that enters in contradiction with preset standards of normality, resulting in a new culture to the edge of the society. .

Ahead of this reality, a necessity of special treatment is perceived stops with the children, who until then they were not recognized as a being child, but as an adult in miniature. From then on it is created notion of infncia and this necessary infantile being of formation. Filed under: Brian Krzanich. The bourgeois society contribue in the construction of pertaining to school institutions, making possible the access the education to the children, privilege this, that was part of the life of few, more necessarily of the religious ones. Until then, the people were one part cculo of convivncia in which they located themselves in one same text of equality; adults and children participated of the same conditions of work and the same wheels of colloquy. Of this form same histories were shared by adult children and, since it was custom of the old ones to carry through descontrao moments, by means of the transmission of the popular histrias. Valley to stand out the fact of that such histories were of extremely violent character, its messages transmitted the enormous capacity of the man in what if it treats to execute cruel acts stops with its next one. The figure of the mothers, in many stories, she was shown as a being me and the unhappy one whom part of a space corrupted for the misery and the poverty was and, this vine to justify, perhaps, the existence of its badness and the lack of escrpulos. According to studious of the subject, the original versions of the stories that we know, today, visibly show the actions of cruelty of the mothers in relation to the children. Considering the reality in which the school appeared, it is natural that let us perceive the existing precariousness, how much to the available material for its white public, the children. These information become pertinent the consensus of that Infantile Literature was born in an entirely adult universe.

About the producers in this case is not quite out of place to say, firstly, they are on vacation with his family (and maybe with another passion, oh, what they rascals), and secondly, they have a completely different task – to take a column on the paper and rubbing their hands behind their backs film group. What am I doing? Ah yes, the spiteful little bit. Of course, producers do not mess around so openly and strongly watch, that the film had more brutality, corpses and blood, so close to them in spirit and techniques of "lawyers>> have been charming, on the verge of poetic sophistication, kids, unlike their genetically frostbitten "Sixes>> freaks of the human race Yes, imagine, it turns out, according to the authors, the word "chaos>> appeared in the late forties, and not in the 90's. Naturally, the post-war atmosphere – it's all certainly smoky beer with a noise gamom, lacerations vests and fighting, one hundred grams "with the trailer>> in the street tent, dancing, movies captured but the authors of this series, unlike other went beyond the usual set of attributes of post-war life with sheets, flapping in the wind, and added not believe race track, a great novelty and a great achievement for a supernumerary southern town! Apparently, the writers and the director looked at the cloudless childhood film "Courageous people>> Sergei Gurzo in the title role. Yet the biggest achievement of the second part of the show, of course, is an unparalleled amount of captured vehicles, apparently gathered from across the country to this town, even in the capital did not had such an abundance and variety of brands, where to this Muscovites to us hardened in the struggle for survival provincials! A smart "raspberry>>? What is the "raspberry>> what you say, indignant at the audience? This is also a poetic salon "Silver Age>> with the luxurious and charming half-naked girls, playfully shouted at each appearance of the next character in the walls of their charming little house, it's not you herd of heifers on the Leningrad highway! Aesthetics! And so on and so forth I repeat: a small lie engenders strong suspicion, and, perhaps, a famous Russian and Soviet film director is right in saying that soon as a teaching tool to show the horror of war will use the "Saving Private Ryan,>> rather than a simple, unpretentious story with, the Soviet film" The Seven Winds> or go to fight the "old>>? As for the post-war atmosphere, then let modern directors do not illusions about his own ingenuity, for the sum eerie feeling that no one alive today did not look, for example, "The Mirror>> Andrei Tarkovsky or" Cold Summer 53rd>> Alexander Proshkin, not to mention other films in the are also cases of outright "bloopers>> but not so much cynical. And another thing: contemporary Russian directors, unlike the Soviet, unfortunately, do not even know what a "cross-axis>> not to mention other methods of shooting and especially the installation! But more about that later on

Another interesting detail in the book in study, is the form as Lobato Hunter presents to the children the irrealidades on the history of the counted men, in its memories: ' ' , and I also know that it is in the memories that the men lie more. Who writes memories arranges the things of a skill that the reader is making one high idea of escrevedor' '. (memories of the Emlia, p 12). The author of the book Infantile Literature, adds in its discrso, on the characteristics more element gifts in the workmanships contemporaries: ' ' The ACT TO COUNT becomes each more present and conscientious time in the body of the narrative. In function of the increasing valuation that our time of to the language as essential factor in the formation of the child and the young, literature contemporary has supervalued the act to tell – as the act to create through the word From there the use each bigger time of the metalanguage, with same histories that speak of itself and of its to become. This new aspect of youthful infantile literature/aims at to take the readers entirely to discover that the literary invention is a process of verbal construction, dependent of the decision of escritor' '. (Infantile literature, p 153). In the book Memories of the Emlia, the author works inside of this perspective, the measure that takes in them to reflect on the language ultilizando the proper language. It is a rich text in metalanguage. Soon at the beginning of its narrative, he has a sufficiently dynamic conflict that convokes in them to think concerning the mysteries and effect that the words cause, when they are chosen pensadamente they establish good relation with excessively. The doll does not want to write any word, but it desires to captivate its reader by means of the good job of the vocbulos and expressions.

Pablo Nunes, in its intitled assay paraense Literature exists? , it affirms that ' ' the expression paraense literature, beyond being bashful excessively, wounds the universality, basic principle to any manifestation that if desires artstica' ' that the literary production of paraenses authors cannot only be assigned as ' ' exotic, regional, incapable to spread out feelings universais' '. Nunes concludes claiming that, if we were to apply native-adjective denominations to each region, we would have a supraspalling of Brazilian Literature, opting, then, for the term Brazilian Literature of Amazonian expression. Pantoja, to its turn, in its assay does not exist a paraense literature? , it believes the opposite of Nunes exactly: Not if it can, on behalf of the universalizao desire, to suppress the regional one. The universal one does not exist without the particular one, the national one does not exist without the regional one, in way that, on behalf of the first one, if cannot ignore as. Pantoja defends, therefore, the nomenclature Literature Paraense in detriment of that brother-in-law for Nunes in virtue to believe that it is necessary to distinguish the universal one in some way, either it by means of the term brother-in-law for Nunes (Brazilian Literature of Amazonian expression) or for the proper name Paraense Literature, has seen that both distinguish universal when assigning Brazilian literature (she is not the Frenchman or the North American, for example) or paraense literature (she is not the inhabitant of the state of Rio de Janeiro or the maranhense, for example). Therefore, as attempt to cure this complaint, Jose Guillermo Fernandes it considers which is not the adjusted term more, but yes the method most appropriate to choose which would be optimum term. It affirms that it is necessary that let us take in consideration the alteridade and identity slight knowledge, therefore ' ' the identity brings the mark of a collective speech, that obliterates voices that are not fit in it, what it becomes the concept of identity one alteridade' ' (2005: 183).